top of page

Actress

From 1981 to date I have participated in 36 plays.

 

Recent:

  • "I was at my house and I was waiting for the rain to come" by Jean-Luc Lagarce directed by Stella Galazzi, character: the oldest, replacement for Graciela Araujo, General San Martín Theater, Bs. As., 2010.

  • "1810", by Martín Coronado, character Teodora, directed by Eva Halac. Teatro de la Ribera, San Martín Cultural Complex, 2010.

  • “Las decentradas”, by Salvadora Onrubia Teatro Regio April 2013. Directed by Eva Halac. Character: Gloria (co-lead)

 

Previous:

  • “Yerma” by García Lorca, leading role, 1981-82: “Danza Abierta 82” choreography by Susana Ibáñez, Alvear Theater and Fundación de Santa Fé Theater, Bs. As. And Santa Fé, 1982; "Travestís" by Tom Stoppar, directed by Julio Piquer, 1983, "Histories to be told" by O. Dragún, on tour, 326 performances, and the International Festival of Manizales 1984; "Los Ángeles terribles" by R. Chalbaud, directed by Lorenzo Juster, on tour. Sponsorship of the Argentine Embassy, ​​Bolivia and Peru, 1984; Hard March ”by various authors and own direction, on tour. Prometheus Theater in Quito sponsored by the Argentine Embassy in Ecuador, 1985 "Juana de América", lead, text adaptation by Andrés Lizárraga International Festival of Manizales, Colombia 1985, "The sacred orgies of Maximón" directed by Villanueva Cosse. Cycle: Voices with the same blood, Teatro Alvear, and Teatro Regio, Bs. As. 1992; "Memories of the south" La Movida, Festival of New Scenic Trends, Bs. Bs. As. And Havana International Theater Festival. FIT Cuba, 1992; "Travesía", starring, with own direction, Caribbean Theater Festival, Santiago de Cuba, 1998.

 

 

Transition%C3%B3n+-unipersonal+-+room+of+
ObraTransici%C3%B3n.jpg
el+canto...3_edited.jpg

"The song of Fire"

International Festival of Havana FIT 1992

Director

  • "Letters on the sea" theatrical intervention.

      General San Martín Theater, 2013.

      Mega Museum: the Night of Museums

 

web%20t8_edited.jpg
web%20t2_edited.jpg

  • "Games at Nap Time" by Roma Mahie,

      with scenery and costumes by Carlos Di Pasquo.  Federal Plan of the Cervantes National Theater,

 

IMG_8759.JPG

 Cervantes Theater,  2015​

  • Artistic director Cycle " History in its place " : " Ghosts of San Telmo ", in Plaza Dorrego, " Poets of flowers", in Plaza de la Misericordia in the Flores neighborhood; "The tracks of Mujica Laínez" , in Barrancas de Belgrano , "The tragic story of the brides of Barracas" , in Barracas; " Av. De Mayo and their letters" (I and II), in Av. De Mayo. "Guapos y tangueros de Balvanera", in Balvanera , "La vida by Roberto Artl "in Flores. Ministry of culture of the GCBA.

 

 

       

 

  • "Operation Coven" FNA Group Projects Grant, at Teatro la Vuelta del Siglo; José A. Terry Museum of Tilcara, northern Argentina, 2007.

 

 

 

  • “Chaplineando”, self-authored shows for children. San Martín Cultural Center Buenos Aires, 1986.

  • “Journey” Collective creation of the Saga group. Caribbean Culture Festival, 1998.

  • “Avaty Kui” Corn ceremony. National Arts Fund Scholarship: Theater 2000.

​​

​​

SINGING AND VOICE

I specialize in voice development. During the 8 years that I lived with the communities of the Andes, in northwest Argentina, I explored the per-Hispanic songs of the Kolla culture. I have actively participated in the Open Program directed by Mario Biagini, in Jerzy Grotowski's Workcenter and in workshops directed by Tomas Richards with African roots songs with high vibratory power. In 2023 I explored polyphonic Georgian chants in Georgia. Caucasus, with the group Ilonis, Bassiani, and Diggori. I teach workshops on the voice exploring and developing resonance and projection, and the voice as vocal action for the theater scene. I published several notes about the voice in the Magazine of the National Theater Institute of Argentina.

_DSC1860 (2).JPG

María Sánchez meets François Benner (Roisner) at the AADK Residence in Blanca (Spain). A field of exploration opens. Her ancient song merges with the electronic sonorities created by Roisner, who, inspired by the images that the poems bring, weaves a mattress where Maria rests her voice.

 

Maria remembers the words of her teacher Grotowski: “I am not looking to find something new, but something forgotten. Bagualas and Vidales, Zambas and Coplas arose from the saved memory of my identity built in South America on my European blood, and they were placed, with humility and respect, in a position to dialogue with what is different”.

lusco.jpg
 https://aldarrax.bandcamp.com/album/lusco-fusco

credits

February 20, 2022
Voice: Maria Sanchez
Sound: Roisner
Mix: Roisner
Master: The Lookout
Artwork: Hanna Szabo
Design: Selu Herraiz
Curator of the project: Elena Azzedín

IMG_7617.JPG
01 BAGUALA DEL VIENTO
00:00 / 06:40
IMG_7619 georgia.JPG

Georgian Polyphonic Choir. Diggori Group. Ethnographic museum, Tirana Georgia

bottom of page